The Soul of Fine Art: Delve into: art, passion, writing, dharma, character, consciousness, culture, intuition, evolution, and the spirit we call soul.

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Monday Mar 10, 2003

Oh Maya, Oh Maya

Mayan Consciousness

There is no doubt that there is a human collective consciousness. The energy of the past is swirling about us in the present. Can you see it? Can you feel it? It exists on the sub-atomic level—the invisible matrix that creates the material world. It is transcendental knowledge.

The wisdom, mystery, and history of the ages are available to anyone willing to receive.

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Saturday Mar 08, 2003

Last Days in LA

Toward my last days in Los Angeles some years back when I was living in the Hollywood Hills, I had a moving sale of various items, not art. A bearded man came to the door, looked around quickly, and went directly to an item leaning against one of my easels.

“How much is that,” he asked.

I said: “Do you know what this is?”

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Thursday Mar 06, 2003

As Luck Will Have It

I heard this Chinese folktale many years ago and its meaning stuck with me as a true friend.

A man named Sei Weng owned a beautiful mare, which was praised far and wide. One day this beautiful horse disappeared. The people of his village offered sympathy to Sei Weng for his great misfortune. Sei Weng said simply, “That’s the way it is.”

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Wednesday Mar 05, 2003

But is it Art?

It was late afternoon.

I was living in Sausalito on a houseboat—three bedrooms, two baths, and three levels. My girlfriend, a saucy dish who looked like a brunette Marilyn Monroe, had met a doctor who was also an art collector and author.

The three of us were on our way to Stinson Beach, about twenty miles from San Francisco and on the west side of the Marin Peninsula. As the doctor drove us in his Mercedes, Mt. Tamalpais rose up reassuringly off in the distance.

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Tuesday Mar 04, 2003

Jung at Art

Picasso. In: Jung C., Collected Works of C. G. Jung, Vol. 15. Princeton University Press, 1966. 160 p. (p. 135-141).

For more on Jung, visit Questia —the online library for research.

Art from the unconscious did not go unnoticed by Carl Jung:

The psychology, not the esthetics, of Picasso’s art is discussed. By viewing his art as a pictorial representation of psychic processes, analogies may be drawn between Picasso’s work and the art done by mental patients. Both these are forms of nonobjective art that draws its contents from the unconscious. 

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