Poet Robert Bly has translated the work of numerous South American poets, including Pablo Neruda of Chile who liked to fly kites on the beach. Bly is also the author of a number of nonfiction books; I highly recommend his allegorical work Iron John: A Book about Men (1990).

For more about Robert Bly, visit Questia —the online library for research.

Here is an excerpt from The Incorporative Consciousness of Robert Bly

by Victoria Frenkel Harris

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"There are no ‘plain facts’ in the history of art—or any history of anything else, for that matter; only degrees of plausibility.... Yet we sense that Gauguin, although he tried to share his experience [spirit], he remains an outsider; he could paint pictures about faith, but not from faith.”

—H.W. Hanson, History of Art

Today is my birthday. It’s a pleasant summer evening. The moon is complete and fitting for this moonchild in the promised land.

My Mother and I went to the California Pizza Kitchen for some light fare.

As we spoke, my birth came up. “What time was I born?” I asked.

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What’s all this about abstract art being modern?

Abstract art is as old as humankind. Look at prehistoric art, ancient art, art of the Middle Ages, art of the Renaissance, and you’ll find abstract art there as well.

The completed “abstract” piece is not abstract to the artist. After all, while abstract art may not be revealing external nature, it is revealing internal nature.

Knowing the difference is cumulative and adds up to what is called a distinction.

If you are perfecting some thing that you have made before, then it is craft—it is technique.

If you are making some thing that has never been made before, then it is creation—it is unique.

If you don’t know the distinction, then how can you properly present your work? The public is already in enough trouble when it comes to discerning art from craft.

There is plenty of room for excellence in both categories.

Remember, comparisons in art are traps.